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In Progress

KORE. Or: Le Sac de l’Espoir. 2008-2020.
Work in Progress. Wool, packagings, drawings, objects. Embroidery. Perls. Publication.

DIE MILCHBANK (The Milk Bank) 2019- as part of a FILM ON BODY FLUIDS. 2019-.
Part of Film project with Karin Berghammer Film Productions ; first shootings of MILCHKÜCHE – MILK BANK in Semmelweisklinik, Vienna May 2019.

Exhibition series with KORES Team.


MILK. The Given. To Be Given. 2018.
Passagen Verlag Vienne (A).
Realisations of 2011-2019.
Design Nik Thoenen, Photography Pascal Petignat.
Book with works on and with (breast) milk. Milk on Paper, Milk objects, milk pump, drawings on paper, milk powder objects, photographies.
With text contributions  of Anna Godfrey, Eva Laquièze-Waniek, Antonio Lucci, Thomas Macho, Elisabeth von Samsonow, Heinz Stahlhut, Marcus Steinweg, Ernst Strouhal.
Austrian Staatspreis (National Prize) for the most beautiful art book of 2018.

Book Présentation and discussion of  MILK. 2019.
With Bernhard Cella, Ernst Strouhal and Nik Thoenen in Salon für Kunstbuch, Belevere 21, Vienne, Austria.

Performance with KROOT JUURAK and DAVID BERRY; milk powder installation in AIL, University of Applied Arts, Vienna (A) in the context of „Applied Microperformativity“, of Jens Hauser, Klaus Spiess,  Lucie Strecker.

Artist talk and performance with KROOT JUURAK and LUCIE STRECKER.
LASER TALK, Leonardo, Medical University Vienna (Art&Science Programme).

Performance with Haytam Nawar, Lucie Strecker and Klaus Spiess, in the context of  MYKOVALUTA, by Klaus Spiess and Lucie Strecker
Cairotronica, Cairo, Egypt.

MILK WITHOUT FRONTIERS (Milch ohne Grenzen). 2018.
Artist talk and Performance.
IFK, Vienna (A): Essen und Migration (Food and migration).

Solo show in TAF The Art Foundation Athens, (GR).

POEM OF THE CITY – Médina. 2017.
BIAT Exhibition, Sfax, Tunisia.

VOYAGE EN TUNISIE, (Voyage to Tunesia). 2017 .
In the context of MOI NON MOI, Carrying Owls To Athens, THE ART FOUNDATION, Vienna in Athens, DOCUMENTA Parallel Programme.

WALKING. 2017.
Drawings of migratory routes  in the context of WALKING THROUGH....VIENNA, Künstlerhaus Vienna.

A.R.T. and Poiesis I and  HYSTERIUM/MYSTERIUM. 2016.
Artist Talk and show in the context of  TTT2016, Taboo, Transgression and Transcendence,University of Courfou, Corfou,  and The Old Asylum, Corfou, (GR).

MILK. 2016.
Solo Show, fAN Vienna, Austria.

Ich bin eine Berlinerin. Ein Alphabet. 2015.
Poèms. dlv (by Deutscher Lyrik Verlag, D).

Éclats de Ville (Walking in Thessaloniki). 2015.
Macedonian Museum of Contemporary Art (GR).

Bonds Matter (Obligations obligent). 2015.
Intervention during the symposion „Gespenster der Gastfreundschaft. Agora – Gabe – Gegengabe (Phantasmes de l’hospitalité – agora – don – contre-don) at the University of Macédonia/ Goethe Institute, Thessaloniki (GR).

−+−. (Die Gekreuz(ig)ten/ The Crucified) 2014/2015.
Agora und Gabe. (Agora and Gift), MIET (Art Fondation of the National Bank of Greece), Thessaloniki (GR).
Objects and oil on wood.

Pochette Surprise. Beiträge zum Mysterium und Ministerium der OikoNomia (Contributions to the mystery and ministery of OikoNomia). 2014.
Strange hand bag  in coopération with Helena Barcikowski and Nina Reisinger.
Card board, paper, drawings, objects.
Solo show, Galerie Gabriel, Vienna (A).

Prinzen. Rollen. Gedichte (Roles of prince, Poems). 2014.
dlv (Deutscher Lyrik Verlag, D).

BONDS MATTER. Schuld mit Schein. Schulden mit Schein. Einige Aspekte des Lebens, Liebens und Schuldens. 2013-2014.
(« Obligations oblige. Some aspects of life, love and debt »).
Article published in Thomas Macho (Ed.): Bonds. Schuld, Schulden und andere Verbindlichkeiten. Fink, D).

Figure in a Novel by Ulrike Schmitzer:
Es ist die Schwerkraft die uns umbringt. Roman, Edition Atelier. 2014.
(Ulrike Schmitzer: It is gravity, that is killing us.)
Works of Irini Athanassakis as part of a fiction of an expedition to Mars).

Von einer unwahrscheinlichen Schuld. (Of an unprobable guilt). 2013.
Exposition/ Performance skype, sculptures, drawings  and poems in Kosmopoliten am Ende des Erdölzeitalters (Cosmopolites at the end of the age of  petrol. With Susanne Schuda and Peter Szely.
Die Vierte Welt, Berlin (D).

A Merry Bond? A Love Bond! How to consent to give a pound of your own flesh for money you do not have but you have promised to a friend who wishes to marry a rich lady. And why justice has to be dealt by that very lady. 2013.
Interventions in the Conférence "Money Matters", Queen Mary University of London (GB).

WARUM (WHY). 2013.
Drawings on paper. And the WARUM BOOK (The Book of Why) Anonyme Zeichner, Galerie Nord, Berlin (D) and Temporary Art Center, Eindhoven (NL).

Short film with Sasha Pirker. Haus der Kulturen der Welt (House of the Cultures of The World, Berlin (D).

BONDS: Schuld, Schulden und andere Verbindlichkeiten. Bonds. Debts, Guilt and Other Obligations. 2012.
Conférence, Show, Theatre:  an Initiative with Thomas Macho; dartistic direction. A coopération of Humboldt-Universität zu Berlin and The HHaus der Kulturen der Welt, Berlin (D).

Printed Bond. A coopération with  Nikolai Franke. Distribution of the bond  in Kassel (D), during the Documenta.

In Erwartung des Lebens (Waiting for Life). 2012.
Drawings, paintings, objects.
Solo Show, Galerie Katja Krämer, Berlin (D).

Ist es ein Plus? Oder ein Minus? (Is it a plus? Is it a minus?). 2012.
Drawings on paper, kaleidoscop-art, Berlin (D).

Random Walks (Chemins du hasard). 2011.
Drawings on Paper, The Art Foundation (TAF), Athens (GR).

mOre Or less. 2011.
Die Zähmung des Blicks – Apprivoiser le regard.
Ink on paper. MIET (Fondation of the  National Bank of Greece), Thessaloniki (GR).


La Déclaration Universelle des Droits de l´Homme rencontre le hasard. (The Universal Declaration of Human Rights Meets the Hazard) 2008
Public Intervention in Paris.

Die Aktie als Bild. Zur Kulturgeschichte von Wertpapieren. (The Share as Cultural Object and Image. 2008.
Monography edited by Springer Wien New York. Publication oft he doctoral thesis in philosophy with distinction (Vienna, A 2007).

Die Aktie in Österreich. The Share in Austria. 2008.
Conception of the exhibition unit for financial shares in Austria for the Kunsthistorisches Museum Vienna (A).

ValYou Corporation. Pour Susanne Schuda. 2007/8/9.
Name and histoiry of the Fictional Company „ValYou Corporation“ for artist Susanne Schuda. The Company evaluates men and women (Intervention in the public space in Vienna and publication, KÖR (A)).

Accès surface/ Accès local. 2002.
With Rosa von Suess and Accès Local (F). Installation/ Exhibition „Art & Economy“, Deichtorhallen Hamburg (D).

bilanal – with acces local, ironic balance sheet analysis on the production of art. 2001.
DVD and Theory. With the collectif Accès Local/ Philippe Mairesse. Installation. Schnitt Ausstellungsraum Cologne (D).

Dis-positiv, zur Produktivität von Kunst und Diskurs. On productivity of art et and discourse. With KunstundPunkt/ Richard Jochum. 2000, 2001.
The dispositiv of contemporary art is exhibited by showing members o fit (critics, curators, museum directors etc.) Shown among others in the Academy of Fine Arts in Vienna (A), Magazin 4 in Bregenz (A) and Schnitt Ausstellungsraum Cologne (D).

Die Option, Eine Skulptur. Ein Lexikon. (The Option. A Scupture. A Dictionary 1999/ 2000.
Sculpture in the shape of the three dimensional simulation curve of financial risk of options (sensitivity). Beginning of work on the Dictionary of the Possible and the Uncertain.
Published among others in:
SozialMaschine. Geld. Wolfgang Pircher (Ed.) OK Centrum für Gegenwartskunst, Linz 2001 (A).